by danny (cianfulli)
Brian Peters ::: Fools of fortune
> 192 kbps VBR
Brian Peters: guitars, Angio-concertina, melodeon, second fiddle, cello, vocal
with
Jamie Knowles: fiddle, mandolin
Mike Nacey: fretless bass
Margaret Peters: vocal
Dave Shaw: Northumbrian pipes
The Mossley dukes
Bonz: guitar, harmonica
John Harrison: string bass, electric bass
Dave Pope: mandolin, guitar
•
01 The lost fourteen hundred
02 Schottis frän Norrbotten
03 The Oldham white hare
04 A Swedish dance/Sherwood forest/La belle Halimande
05 John Barbour
06 The Northern lass
07 Dallas rag
08 The last God of England
09 Shelter from the storm
10 Doed a ddel/Ap siencyn/Mopsi don
11 Sir Patrick Spens
12 The unquiet grave
•
1989 • Harbour Town HAR 005
•
Harbour Town aren’t exactly putting out rubbish, are they? They're developing a very healthy line in powerful (basically) solo artists and stylish monochrome sleeves.
This is a varied and excellent set. The tunes (from various lands) are full of the miracle ingredient Life, showcasing Peters' skilled, unflashy squeezeboxing. The songs have quite a lot of death (threatened or actual) in them.
The opener is a sombre recounting of HMS Hood's demise at the hands of the Bismarck. This is mirrored on side two by a taut, drama-charged Sir Patrick Spens. By way of contrast, in John Borbour (yet another good version of the Willie O'Winsbury story) someone actually makes it back from a sea voyage roughly according to plan.
There's a stormalong version of Last God Of England, courtesy of Peters' alternative outlet, The Mossley Dukes. This is one of my favourite songs of the last couple of years, so I have no complaints but I wonder if the label's standard contract stipulates the inclusion of a Pete Morton song? Janet Russell's LP is the only exception so far. Unquiet Grave is given an excellent treatment, helped especially by Margaret Peters' mixed-down, but crucially effective, second vocal.
Final and special mention goes to Peters' Shelter From The Storm, a blazing try on behalf of the homeless. Anyone whose mental and physical horizons extend more than 400 yards beyond the Palate of Westminster will know there's a problem. This is a song shot through with anger and sympathy worthy of the subject. Recommended for your attention, as is the whole record.
Nick Beale • fROOTS #74, August 1989
DL (fixed)
pass: highqualitymp3
Very nice! Thank you!
> 192 kbps VBR
Brian Peters: guitars, Angio-concertina, melodeon, second fiddle, cello, vocal
with
Jamie Knowles: fiddle, mandolin
Mike Nacey: fretless bass
Margaret Peters: vocal
Dave Shaw: Northumbrian pipes
The Mossley dukes
Bonz: guitar, harmonica
John Harrison: string bass, electric bass
Dave Pope: mandolin, guitar
•
01 The lost fourteen hundred
02 Schottis frän Norrbotten
03 The Oldham white hare
04 A Swedish dance/Sherwood forest/La belle Halimande
05 John Barbour
06 The Northern lass
07 Dallas rag
08 The last God of England
09 Shelter from the storm
10 Doed a ddel/Ap siencyn/Mopsi don
11 Sir Patrick Spens
12 The unquiet grave
•
1989 • Harbour Town HAR 005
•
Harbour Town aren’t exactly putting out rubbish, are they? They're developing a very healthy line in powerful (basically) solo artists and stylish monochrome sleeves.
This is a varied and excellent set. The tunes (from various lands) are full of the miracle ingredient Life, showcasing Peters' skilled, unflashy squeezeboxing. The songs have quite a lot of death (threatened or actual) in them.
The opener is a sombre recounting of HMS Hood's demise at the hands of the Bismarck. This is mirrored on side two by a taut, drama-charged Sir Patrick Spens. By way of contrast, in John Borbour (yet another good version of the Willie O'Winsbury story) someone actually makes it back from a sea voyage roughly according to plan.
There's a stormalong version of Last God Of England, courtesy of Peters' alternative outlet, The Mossley Dukes. This is one of my favourite songs of the last couple of years, so I have no complaints but I wonder if the label's standard contract stipulates the inclusion of a Pete Morton song? Janet Russell's LP is the only exception so far. Unquiet Grave is given an excellent treatment, helped especially by Margaret Peters' mixed-down, but crucially effective, second vocal.
Final and special mention goes to Peters' Shelter From The Storm, a blazing try on behalf of the homeless. Anyone whose mental and physical horizons extend more than 400 yards beyond the Palate of Westminster will know there's a problem. This is a song shot through with anger and sympathy worthy of the subject. Recommended for your attention, as is the whole record.
Nick Beale • fROOTS #74, August 1989
DL (fixed)
pass: highqualitymp3
Very nice! Thank you!
5 Comments:
Sorry, I got an error message stating the file structure is damaged.
Thanks for this album, cianfully!
I am listening as I write and I like what I hear :-)
This also means I didn't receive any error message at all..., so my suggestion to Michael would be to download it again.
Greetings, Oisín
please substitute the previous link, it didn't work well
Fools of fortune
cianfulli aka danny
please, delete the link in the original post
I think they have Danny, it was fine for me.
Another gem - thanks
Roger
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