Miller Anderson "Bright City" (UK Folk-Rock 1971)

Miller Anderson has been on the cutting-edge of rock for more than three decades. Although he's only released two solo albums -- Bright City in 1971 and Celtic Moon in 1988 -- the Scotland-born guitarist and vocalist has been involved with many influential musicians. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Yes vocalist Jon Lord and folk-rock balladeer Donovan. Anderson launched his career with the Royal Crests in 1964, continuing to play with the group as they evolved into Karl Stuart & the Profiles. Although he recorded one single with the Voice, "Train to Disaster" b/w "Truth," he left the band soon afterwards and was replaced by Mick Ronson. After meeting Ian Hunter during recording sessions at Regent Sound Studios, Anderson and Hunter formed a band, the Scenery, with drummer John Verson Smith. The group, which enlarged into a quartet with the addition of keyboardist Dante Smith, released an EP in Japan. In 1967, the group became the backup band for pianist/vocalist Freddie "Fingers" Lee as the Freddie "Fingers" Lee Band. While Anderson temporarily left the group to join the Paper Blitz Tissue, where he met Bill Bruford who replaced drummer Dave Dufort, he rejoined Hunter and Lee in March 1968 to form the oddly named group At Last the 1958 Rock 'n' Roll Show. After recording one single, "I Can't Drive" b/w "Workin' on the Railroad," the band changed their name to Charlie Woolfe. Upon leaving this group, Anderson and Hunter temporarily resurrected the Scenery. In late 1968, Anderson joined the Keef Hartley Band. Although they had begun to work on their debut album, the group had changed their lead singer twice before Anderson was recruited. In addition to playing with them at the Woodstock Festival in August 1969, Anderson recorded five albums with the band -- Halfbreed, The Battle of North West, The Time Is Near, Overdrive, and the live album Little Big Band. Leaving the group to start his solo career, Anderson formed the Miller Anderson Band. Assembled to play concerts, the group never toured, instead playing several sessions for BBC Radio. Anderson continued to change bands at a lightning pace. After his band Hemlock toured as the opening act for Savoy Brown in 1973, Anderson was invited to join Kim Simmonds and Stan Webb (from Chicken Shack) to create a three-guitar lineup for Savoy Brown in January 1974. Although he wrote several songs for Savoy Brown's album Boogie Brothers, he only remained in the band until December. While he joined Blood, Sweat & Tears, he left within a few weeks following the departure of lead singer David Clayton-Thomas. Anderson's next projects included the band Dog Soldier with Keef Hartley, and a group assembled by ex-Rolling Stones guitarist Mick Taylor featuring former members of Stone the Crows. Although he joined T. Rex in August 1976, he left after helping to record the album Dandy in the Underworld to tour with Donovan. Anderson's plans to rejoin T. Rex ended with the tragic car accident death of Marc Bolan on September 16, 1977. Instead, he continued to tour with Donovan until 1978 when he and keyboardist Ronnie Leahy joined with guitarist/vocalist Jimmy McCulloch to form the Dukes. While the group recorded a minor hit, "Hearts in Trouble," they fell apart following McCulloch's death. Joining Stan Webb's Speedway in 1982, Anderson left to play bass with a resurrected Chicken Shack from September through December 1984. Anderson next became involved with Mountain. Although he was slated to play guitar in the group, which also featured original drummer Corky Laing and Ian Hunter, he switched to bass when original guitarist Leslie West rejoined the group. ~ Craig Harris, All Music Guide

Miller Anderson issued a solo album, "Bright City" in 1971, featuring songs that were not considered suitable for Hartley's repertoire. Lineup featured among others Mick Weaver on keyboards plus the bassist (Gary Thain) and reed players of Hartley's. Plus a string section. Pretty melodies, acoustic guitars, fluegel horn & flute - no doubt mirroring Miller's interest in a softer, more acoustic brand of music.
But "High Tide, High Water" and "Nothing In This World" were something else: two riffing electric guitars (the other deftly handled by Neil Hubbard), wah-wah, and a fat, forceful organ. Extended workouts - true timepieces.